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| 个人信息 |
| 姓 名： |
卢译员 [编号]:4915 |
性 别： |
女 |
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| 擅长专业： |
文学 |
出生年月： |
1990/2/1 |
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| 民 族： |
汉族 |
所在地区： |
北京 北京 |
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| 文化程度： |
本科 |
所学专业： |
英语语言文学 |
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| 毕业时间： |
2012 |
毕业学校： |
南京大学 |
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| 第一外语： |
英语 |
等级水平： |
专八 |
|
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| 口译等级： |
高级 |
工作经历： |
4 年 |
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| 翻译库信息 |
| 可翻译语种： |
英语 |
|
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| 目前所在地： |
北京 北京 |
| 可提供服务类型： |
笔译、口译、家教 |
| 每周可提供服务时间： |
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| 证书信息 |
| 证书名称： |
英语专业八级 |
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| 获证时间： |
2012/3/1 |
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| 获得分数： |
良好 |
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|
| 笔译案例信息 |
| 案例标题： |
上海某戏剧表演节目《猫》中文再译英文 |
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| 原文： |
老猫迪欧特洛诺米？
没错，是迪欧特洛诺米
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
迪欧特洛诺米是猫族寿星
他大名鼎鼎，活过不止一世，
女王维多利亚尚未登基
谚语和童谣里早有他大名
他九任太太都已入土
依我看，没准有九十九
他子孙满堂，兴旺发达
他已暮年，全城以他为傲
看到他静静地，懒懒地靠在
牧师家篱笆上晒太阳
最老的市民惊呼道：
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！”
我的腿不听使唤了，我得慢慢走
仔细老猫迪欧特洛诺米。
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| 译文： |
Old Deuteronomy？
Yeah, it’s Old Deuteronomy.
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
Old Deuteronomy has lived a long time
He’s known to all and he's lived more than one lives
Even before Queen Victoria’s accession
He was famous in proverb and nursery rhyme
His nine wives have passed away
And perhaps ninety-nine, I’d say
His children prospers and thrives
He’s the town’s pride though he’s at the end of his days
Seeing him lean there quiet and cozy
In the sun on the vicar’s fence
The oldest citizen shouted:
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
My legs are staggery, and I must go slowly
And watch out for Old Deuteronomy
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| 案例标题： |
某艺术展艺术家简历汉译英 |
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| 原文： |
聂危谷简历
聂危谷 1957年生于江苏扬州。现任南京大学美术研究院教授，副院长，中国画和中国美术史方向硕士生导师。兼任南京博物院特邀研究员，曾任扬州大学艺术学院院长。1981年毕业于南京师范大学美术学院；1988年毕业于中国艺术研究院；1998年毕业于南京艺术学院；分别获美术学学士、硕士、博士学位。
一、近年艺术参展：
2011 全国高校美教联盟•2010年中国书画作品学术邀请展,浙江大学艺术学院
2011 江苏省国画院学术邀请展——聂危谷作品展,江苏省国画院
2011 第六届中国画•画世界作品展，南京博物院
2011 文脉心象——当代中国画百家百扇艺术展，清华大学美术学院
2011 第五届中国画•画世界作品展，南京博物院
2011 全国中国画作品展，获优秀奖，哈尔滨卢禹舜美术馆
2011 “中国色彩-绘画艺术展”，无锡博物馆
2011 水墨七贤画展,南京养墨堂美术馆
2011 只等闲——中国画提名展，诸子艺术馆
2011 2010“民族百花奖”中国各民族美术作品展，北京民族文化宫
2010 印象•都市——当代城市山水画提名展，宁波美术馆、上海刘海粟美术馆、武汉美术馆
2010 第四届中国画•画世界作品展，南京博物院
2010 16届亚运会“激情盛会，翰墨流芳”全国中国画展，广东省博物馆
2009 中国画名家手卷作品展，中国美术馆
2009 艺术丰碑—当代中国画名家巨幅画作展，中国人民革命军事博物馆
2009 全国中国画作品展，安徽省博物馆
2009 神州风韵—首届华人书画艺术年展，中华世纪坛
2009 中国花鸟画大展，南京养墨堂美术馆
2008 第三届北京国际美术双年展，中国美术馆
2008 全国中国画作品展，获优秀奖，广西省博物馆
2008 心印浮屠——聂危谷中国画展，南京养墨堂美术馆
2008 江苏省纪念改革开放30周年美术书法作品大展，获创作奖，南京博物院
2008 中国画•画世界四人展，江苏省美术馆
2008 第三届中国画•画世界作品展，南京博物院
2008 水墨七贤——中国画巡回展，合肥亚明艺术馆
2007 “危谷图式——中国画．画世界”个人画展，南京美术馆
2007 中国百家金陵画展（中国画），江苏省美术馆
2007 墨缘•100——中国宋庄水墨同盟第二届名家邀请展，北京宋庄美术馆
2007 清溪雅集第二回书画展，常熟美术馆
2007 祝福香港—庆祝香港回归十周年苏港名家作品联展，江苏省美术馆
2006 清溪雅集第一回书画展，江苏省美术馆
2006 首届中国画.画世界作品展，南京博物院
2006 第11次大田.南京书画交流展，韩国大田
2006 中国江苏现代水墨画展 ，意大利芬奇市
2006 江苏省2006“艺术与科学”绘画作品展览 ，江苏省美术馆
2005 现代金陵水墨画传媒展，江苏省国画院
2005 中国百家金陵水墨画展，南京博物院
2005 聂危谷彩墨画展，烟台美术馆
2004 傅抱石奖.南京水墨画传媒三年展，获评委提名奖，江苏省美术馆
2004 庆祝中华人民共和国建国55周年江苏省美术作品展览，获优秀奖
2004 聂危谷彩墨画展，南京美术馆
2004 中国—澳大利亚科学与艺术联展，澳大利亚新南威尔士崔德州城市艺术空间
2004 《江苏画刊》30周年庆典•百名中国名家邀请展，南京博物院
2003 聂危谷彩墨画展，扬州市美术馆
2003 抽象水墨展，浙江杭州“图雅图艺术中心”
2002 中国实验水墨艺术展，山东、纽约、多伦多、北京等地
2001 首届西安国际抽象水墨画大展，西安国际展览中心
2001 聂危谷实验水墨展，南京博物院现代艺术馆
二、近年学术论著
2011 《林风眠——融合中西艺术的学派先驱》，《中华书画家》2011年第5期。
2010 《艺道宏微》聂危谷文集，江苏美术史论家文丛，江苏文艺出版社2010年版。
2010 《东方为媒——论赵无极、朱德群抽象绘画的书法性及其文化因缘》，《林风眠诞辰110周年国际学术研讨会论文集》，中国美术学院出版社2010年版。
2009 《不要再打鲁迅的幌子》，聂危谷《雕塑》2009年第2期。
2009 《圆明园生肖兽首——不堪承受命运之重的符号》，以笔名为榖同期发表于同上刊物。
2009 《中西绘画大同论评析——兼探俞剑华学术思想的圆融境界》聂危谷，《俞剑华先生学术研讨论文集》，东南大学出版社2009年4月版。
2009 《为人文而艺术——反思当代中国画人文精神之失落》，聂危谷《中外美术研究》2009 年8月总第1期。
2009 《人文品格与艺术品格——2009中国百家金陵中国画金奖作品评析》，聂危谷《2009中国百家金陵论坛文集》江苏美术出版社2009年12月版。
2008 《重建巴比塔——奥运与美术同行的历史性审视》《2008•第三届中国北京国际美术双年展研讨会文献集》。
2008 《未能忘却的纪念—抽象油画家吴大羽逝世20周年祭》，《民族艺术》(CSSCI) 2008年第2期。
2008 《论中国画人文精神之得失》，《美术》2008年第3期。
2008 《现实主义油画语言的表现性》，《2008.中国百家金陵画展论文集》，凤凰出版传媒集团，江苏美术出版社2008年10月版
2008 《再现性模式约束下的中国艺术之“变”》，《雕塑》2008年第3期。
2007 《论中国画人文精神之得失》，《2007.中国百家金陵画展（中国画）论文集》，江苏美术出版社2007年11月版。
2007 《追求写实与写意的圆融境界》，《2007.中国百家金陵画展（中国画）论文集》，江苏美术出版社2007年11月版。
2007 《精神之旅》，《精神之旅——苏天赐师生作品展》策展人语，四方当代美术馆，2007年10月。
2007 《体验与表现的双重超越—李长白中国画衰年变法及其根源辨析》，《世界艺术》2007年第6期。
2006 《艺术中的工匠》，吉林美术出版社2006年7月版。
2006 《吴为山雕塑理论及其文化战略意义》，《民族艺术》2006年第2期 。
2006 《艺术传统再生与文化生态建构——试论吴为山雕塑思想的理性自觉》，《诗意的塑造——吴为山艺 术评论集》群言出版社2006年6月版。
2006 《风景这边独好——感悟黄格胜地域风景画》《艺术探索》2006年第3期。
2005 《徐悲鸿与20世纪现实主义中国画人物画的崛起》《2005.中国百家金陵画展（中国画）论文集》，江苏美术出版社2005年10月版。
2004 《再论写意雕塑——从反思中国现代雕塑与传统雕塑谈起》，《中国美术与世界艺术走向，卓有成就的美术史论家论文集》，中国美术家协会编，人民美术出版社2004 年11月版。
2004 《中国传统雕塑三大断层论》，《雕塑》2004年第5期。
2004 《写意雕塑的意义》，《民族艺术》2004年第3期，中文核心期刊。
2004 《从五千年文化中走出——试论吴为山雕塑的文化品质与艺术形式》，《美术观察》
（国家级艺术类核心期刊）2004年第8期。
2004 《崛起的荒漠——中国城市建设批评》，5月南京“文化与城市性格”高层论坛；《美术与设计》（中文核心期刊）2004年第3期。
2004 《就“最有民族性就最有世界性”与林木先生商榷》，《艺术探索》2004年第1期。
2004 《林风眠绘画的视觉张力为什么不及刘海粟》，原载《国画家》2003年第3期,《美术》（国家级艺术类核心期刊）2004年第1期“艺海文摘”摘录。
2003 《何处寻梦——观威尼斯双年展有感》，《雕塑》第2003年6期，2003年《雕塑年鉴》收录。
2003 《“挂钩是祸根”——再论架上绘画危机》，原载《江苏画刊》2002年第9期，《美术观察》（国家级艺术类核心期刊）2003年 第2期“论摘”收录。
2003 《林风眠绘画的视觉张力为什么不及刘海粟》，《国画家》 2003 6 15。
2002 《开放与集中的文化立场》，《中国西安2001“西部.西部”艺术大展论集》， 陕西人民美术出版社2002年10月版。
2002 《一个理想者的自白》，《美术观察》（国家级艺术类核心期刊）2002年第1期。
2002 《文化征服主义与架上绘画危机》，《美苑》2002年第3期。
2001 《中国花鸟画导读》，《海外遗珍》，湖南美术出版社2001年11月版。
2001 《以什么样的心态面对西方中心主义》，《美苑》（中国美术类核心期刊）2001年第4期。
2001 《林风眠美术教育的创造性特质》，《中国美术教育》2001年第1期。
2001 《媚俗伤骨—中国画流行病批评》，原载《国画家》2000年第6期，《光明日报》2001年4月13日全文转载。
2000 《面临美育热的忧思》，《美术观察》（国家级艺术类核心期刊）2000年第12期。
2000 《林风眠土洋互渗的艺术风格》，《荣宝斋》2000年1期。
1999 《林风眠如何看待艺术传统》，《美术观察》，1999年第5期；《林风眠与二十世纪国际学术研讨会论文集》，中国美术学院出版社1999年10月版。
1999 《中西画并系得失史鉴》，《20世纪中国美术教育》，上海书画出版社1999年9月版。
1998 《扬州八怪画派的绘画》，《海外藏中国历代名画》第8卷序言，本人亦为第8卷主编，湖南美术出版社1998年12月版。
1997 《童心神游墨林迹，耄耋情牵今古评》，《艺苑》1997年第4期。
1995 《彭德预言与杞人忧天》，《江苏画刊》1992年第5期。
三、 近年出席学术会议：
2011 《东方为媒——论赵无极、朱德群抽象绘画的书法性及其文化因缘》中国美术学院；第六届两岸三地人文社会科学论坛，2011年11月19至20日，香港中文大学。
2011 “特殊与一般：美术史研究的个案与问题”，第五届全国高校美术史学年会，2011年10月29日至30日，南京艺术学院。
2011 《全国高校美术学科发展高峰论坛》，2011年6月28至30日，浙江大学
2011 《“百家金陵”可持续性发展之瞩望》，2011•中国百家金陵画展高峰论坛，中国美协、江苏省委宣传部等主办。2011年10月15至16日，南京紫金山庄。
2010 《东方为媒——论赵无极、朱德群抽象绘画的书法性及其文化因缘》，林风眠诞辰110周年国际学术研讨会，2010年11月22至23日，中国美术学院。
2010 《调和中西•苏天赐艺术研讨会》，2010年12月26日，中国艺术研究院。
2009 《中西绘画大同论评析——兼探俞剑华学术思想的圆融境界》，俞剑华学术国际研讨会，2009年4月25日，南京艺术学院、中国美术馆联合主办。
2009 《艺林拓荒——王树村民间美术收藏与研究成就展暨学术研讨会》，2009年4月8日，中国美术馆。
2009 《人文品格与艺术品格——2009中国百家金陵中国画金奖作品评析》《2009中国百家金陵画展高层论坛》，中国美术家协会、江苏省委宣传部、江苏省文化厅、江苏省文学艺术界联合会举办，2009 年12月29—30日。
2008 《象征性与悲剧性》，侵华日军南京大屠杀遇难同胞纪念馆扩建工程大型主题雕塑学术研讨会，2008年1月9日，中国美术家协会、中国艺术研究院、江苏省委宣传部、南京大学主办。
2007 《论中国画人文精神之得失》，江苏省哲学社会科学界学术大会，中共江苏省委宣传部，江苏省哲学社会科学界联合会主办，2007年12月17日。
2007 《论中国画人文精神之得失》、《追求写实与写意互补的圆融境界》，中国百家金陵高层论坛，中国美术家协会，中共江苏省委宣传部、江苏省文化厅、江苏省文学艺术界联合会主办，2007年11月10日。
2004 《崛起的荒漠——中国城市建设批评》入选2004中国南京世界文化历史名城博览会—文化与城市性格高层论坛，江苏省文化厅主办，2004年10月。
2002 《扬州八怪画派的绘画》，扬州八怪艺术国际研讨会，中国美术家协会，扬州市政治协商会议主办。2002年11月24—26日
2001 《开放与集中的文化立场》西部•西部艺术大展论坛，中国美术家协会、陕西省政府主办，西安美术学院承办，2001年12月26日
1999 《林风眠何看待艺术传统》，《林风眠与二十世纪国际学术研讨会论文集》，中国文化部、中国美术家协会、上海美术家协会、中国美术学院等主办，1999年10月。
1998 《中西画并系得失史鉴》，20世纪中国美术教育研讨会，中国美术学院主办，1998年5月。
四、近年艺术与学术获奖
2011 彩墨《仰望星空》获“2011全国中国画作品展”优秀奖，中国美协颁发
2008 彩墨《辉映千秋》获“2008全国中国画展”优秀奖，中国美协颁发
2008 江苏省纪念改革开放30周年美术书法作品大展，获创作奖，江苏省委宣传部、省文化厅、省文联颁发
2007 论文《论中国画人文精神之得失》获2007年度江苏省哲学社科大会优秀论文奖，省委宣传部，省哲学社科联颁发
2004 实验水墨《乱码》获“傅抱石奖.南京水墨画传媒三年展”评委个人提名奖，江苏省政府颁发
2004 中国画《岁月如歌》获江苏省国庆55周年美术作品展优秀奖，江苏省文化厅颁发
2002 论文《中西画并系得失史鉴》（《20世纪中国美术教育》，上海书画出版社1999.10版）获第四届江苏省普通高校人文社会科学研究成果奖三等奖，江苏省教育厅颁发
2000 论文《林风眠如何看待艺术传统》（《美术观察》1999.5期）获第三届江苏省普通高校人文社会科学研究成果奖三等奖，江苏省教育厅颁发
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Nie Weigu’s Resume
Nie Weigu was born in 1957 in Yangzhou, Jiangsu. Being a Master’s Supervisor in Chinese painting and Chinese Fine Art History, Nie is also professor and associate dean of the Arts Academy of Nanjing University. In the meantime, He is a guest researcher of the Nanjing Museum. Nie used to be the dean of the Art School of Yangzhou University as well. In 1981, Nie graduated from the Art School of Nanjing Normal University for his Bachelor’s degree in Fine Arts. In 1988, he graduated from the Academy of Arts of China, where he gained a Master’s degree in Fine Arts. In 1998, he completed his Doctor’s degree in Fine Arts in Nanjing University of the Arts.
1. Art Exhibitions in Recent Years
2011 College and University Fine Arts Teaching Association•2010 Chinese Painting and Calligraphy Academic Exhibition, Art School of Zhejiang University
2011 Jiangsu Provincial Chinese Painting Institute Academic Exhibition—Exhibition of Works of Nie Weigu, Jiangsu Provincial Chinese Painting Institute
2011 Exhibition of Works of the 6th Chinese Painting•Paint the World, Nanjing Museum
2011 Context and Mental Image—Arts Exhibition of Contemporary Chinese Painting, Art School of Tsinghua University，
2011 Exhibition of Works of the 5th Chinese Painting•Paint the World, Nanjing Museum
2011 won Prize for Excellence in National Chinese Painting Exhibition of Works, Harbin Lu YuShun Art Gallery
2011 “Chinese Colors”—Art Exhibition of Paintings, Wuxi Museum
2011 Exhibition of “Seven Sages of Ink Painting”, Nanjing Yangmotang Art Gallery
2011 “Holding Light”—Nominated Exhibition of Chinese Painting, Zhuzi Art Gallery
2011 “2010 Baihua Award of Nationalities”—Chinese Fine Arts Exhibition of Works, Beijing Cultural Palace of Nationalities
2010 “Impression•City”—Nominated Exhibition of Contemporary Urban Landscape Painting, Ningbo Art Gallery, Shanghai Liu Haisu Art Gallery, Wuhan Art Gallery
2010 Exhibition of Works of the 4th Chinese Painting•Paint the World, Nanjing Museum
2010 National Chinese Painting Exhibition of the 16th Asian Games, Guangdong Provincial Museum
2009 Exhibition of Works of Chinese Painting Virtuosi, National Art Gallery
2009 “Art Monument”—Exhibition of Contemporary Chinese Large-scale Painting of Virtuosi, People’s Revolutionary Military Affairs Museum of China
2009 National Exhibition of Works of Chinese Painting, Anhui Provincial Museum
2009 “Grace of the Devine Land”—the 1st Annual Exhibition of Chinese Calligraphy and Painting, China Millennium Monument
2009 Exhibition of Chinese Flowers and Birds Painting, Nanjing Yangmotang Art Gallery
2008 The 3rd Biennial Exhibition of Beijing International Fine Arts, National Art Gallery
2008 won Prize of Excellence in National Exhibition Chinese Painting, Guangxi Provincial Museum
2008 “Pagoda on the Mind”—Nie Weigu’s Chinese Painting Exhibition, Nanjing Yangmotang Art Gallery
2008 won Award for Creativity in Jiangsu Fine Arts Exhibition Commemorating Thirty Years of Reform and Opening, Nanjing Museum
2008 Exhibition of Four Artists—Chinese Painting•Paint the World, Jiangsu Provincial Art Gallery
2008 Exhibition of Works of the 3rd Chinese Painting•Paint the World, Nanjing Museum
2008 Exhibition of “Seven Sages of Ink Painting”—Travelling Exhibition of Chinese Painting, Hefei Yaming Art Gallery
2007“Weigu’s Schema—Chinese Painting•Paint the World” Individual Art Exhibition, Nanjing Art Gallery
2007 China Baijia Jinling Art Exhibition (Chinese Painting), Jiangsu Provincial Art Gallery
2007 “Predestined Affinity with Ink•100”—the 2nd Exhibition of China Songzhuang Ink Painting Association, Beijing Songzhuang Art Gallery
2007 the 2nd Qingxiya Calligraphy and Painting Exhibition, Changshu Art Gallery
2007 “Bless Hong Kong”—Jiangsu and Hong Kong Joint Exhibition of Famous Works on Celebration of the 10th anniversary of Hong Kong’s Returning, Jiangsu Provincial Art Gallery
2006 the 2nd Qingxiya Calligraphy and Painting Exhibition, Jiangsu Provincial Art Gallery
2006 Exhibition of Works of the 1st Chinese Painting•Paint the World, Nanjing Museum
2006 the 11th Taejon-Nanjing Communicating Exhibition of Calligraphy and Painting, Taejon, Korea
2006 Jiangsu China Contemporary Ink Painting Exhibition, Vinci, Italy
2006 Jiangsu 2006“Art and Science” Painting Exhibition, Jiangsu Provincial Art Gallery
2005 Media Exhibition of Contemporary Jinling Ink Painting, Jiangsu Provincial Chinese Painting Institute
2005 China Baijia Exhibition of Jinling Ink Painting, Nanjing Museum
2005 Nie Weigu’s Ink and Color Painting Exhibition, Yantai Art Gallery
2004 won Fu Baoshi Award and Judge Nominating Award in Nanjing Triennium Exhibition of Ink Painting, Jiangsu Provincial Art Gallery
2004 won Prize of Excellence in Jiangsu Fine Arts Exhibition on Celebration of the 55th Anniversary of the Founding of China
2004 Nie Weigu’s Ink and Color Painting Exhibition, Nanjing Art Gallery
2004 China-Australia Science and Art Joint Exhibition, Art Space in New South Wales, Australia
2004 30th Anniversary of Jiangsu Illustrated•Exhibition of Works of a Hundred Chinese Experts, Nanjing Museum
2003 Nie Weigu’s Ink and Color Painting Exhibition, Yantai Art Gallery, Yangzhou Art Gallery
2003 Abstract Ink Painting Exhibition, Tuyatu Art Center in Hangzhou, Zhejiang
2002 Experimental Chinese Ink Art Exhibition, Shandong, New York, Toronto, Beijing, etc.
2001 the 1st Xi’an International Abstract Ink Painting Exhibition, Xi’an International Exhibition Center
2001 Nie Weigu’s Experimental Ink Painting Exhibition, Modern Art Gallery in Nanjing Museum
2. Academic Works in Recent Years
2011 “Lin Fengmian—Pioneer of Combining Chinese and Western Art”, in Chinese Calligraphers and Artists, issue No. 5, 2011.
2010 Macro and Micro Art—Literary Collection of Nie Weigu，in Literary Series of Jiangsu Fine Arts Historians, Jiangsu Art and Literature Press, 2010.
2010 “Oriental Media—on Calligraphy in Zhao Wuji and Zhu Dequn’s Abstract Painting and its Cultural Links”, in Collection of Theses in International Scientific Seminar Commemorating the 110th Birthday of Lin Fengmian，China Academy of Fine Arts Press, 2010.
2009 “Stop Walking under the Veil of Lu Xun”, in Sculpture, issue No. 2, 2009.
2009 “Heads of Animals of the Year in the Winter Palace—Signs of Fate’s Unbearable Heaviness”, in Sculpture, issue No. 2, 2009.
2009 “On the Theory of Great Harmony between Chinese and Western Paintings—Exploring the Integrate Harmony in Yu Jianhua’s Academic Thoughts”, in Collection of Theses in Yu Jianhua’s Academic Seminar, Dongnan University Press, 2009, April.
2009 “For the sake of Humanity—Reflection on the Fading of Human Spirit in Contemporary Chinese Painting”, in Chinese and Foreign Fine Arts Research, issue No. 1, 2009, August.
2009 “Human Character and Art Character—Analyzing Gold Awards in 2009 China Baijia Jinling Chinese Painting Works”, in Literary Collection of 2009 China Baijia Jinling Forum, Jiangsu Fine Arts Press, 2009, December.
2008 “Rebuild the Babel—Historic Examining of the Olympics and Fine Arts”, Seminar Archives of the 3rd China Beijing International Fine Arts Biennial Exhibition, 2008.
2008 “To Commemorate the Unforgettable—the 20th Commemorative Performance of Abstract Oil Painter Wu Dayu”, in Ethnic Art (CSSCI), issue No.2, 2008.
2008 “On the Gains and Loss of Human Spirit in Chinese Painting”, in Fine Arts, issue No.3, 2008.
2008 “Expressiveness in Languages of Realistic Oil Painting”, in Literary Collection of 2008 China Baijia Jinling Forum, Jiangsu Fine Arts Press, 2008, October.
2008 “Changes in Chinese Arts under the Restriction of Reproducibility Model”, in Sculpture, issue No.3, 2008.
2007 “On the Gains and Loss of Human Spirit in Chinese Painting”, in Literary Collection of 2007 China Baijia Jinling Exhibition (Chinese Painting), Jiangsu Fine Arts Press, 2007, November.
2007 “In Pursuit of Integrate Harmony of Realistic Painting and Impressionistic Painting”, in Literary Collection of 2007 China Baijia Jinling Exhibition (Chinese Painting), Jiangsu Fine Arts Press, 2007, November.
2007 “Journey of Spirit”, in Journey of Spirit—Exhibition of Works of Su Tianci and His Students, 2007, October.
2007 “Double Transcendence of Experience and Express—Style Changing of Li Changbai’s Chinese Painting and its Causes”, in World Art, issue No.6, 2007.
2006 Craftsman in Art, Jinlin Fine Arts Press, 2007, July.
2006 “Wu Weishan’s Sculpting Theory and its meaning of Cultural Strategy”, in Ethnic Arts, issue No. 2, 2006.
2006 “Rebirth of Artistic Tradition and Construction of Cultural Ecology—on Rational Awareness in Wu Weishan’s Sculpting Thoughts”, in Poetic Shaping—Symposium of Wu Weishan’s Art, Qunyan Press, 2006, June.
2006 “The View here is the Best—Huang Gesheng’s Landscape Painting”, in Exploring Art, issue No.3, 2006.
2005 “The Uprising of Xu Beihong and the 20th Century’s Realistic Chinese Figure Painting”, in Literary Collection of 2005 China Baijia Jinling Exhibition (Chinese Painting), Jiangsu Fine Arts Press, 2005, October.
2004 “Re-discussion of Impressionistic Sculpture—Starting from the Reflection on Chinese Modern Sculpture and Traditional Sculpture”, in Trend of Chinese Fine Arts and World Art, Theses Collection of Distinguished Fine Arts Historians, Chinese Artists Association ed., People’s Fine Arts Publishing House, 2004, November.
2004 “Three ‘Fault Theories’ of Chinese Traditional Sculpture”, in Sculpture, issue No. 5, 2004.
2004 “The Meaning of Impressionistic Sculpture”, in Ethnic Art (Chinese core journal), issue No.3, 2004.
2004 “Walking out of a Five-Thousand-Year Culture—on Cultural Character and Artistic Form of Wu Weishan’s Sculpture”, in Fine Arts Observation (state-level core journal of arts), issue No.8, 2004.
2004 “The Uprising Desert—Critique of China’s Urban Construction”, in Nanjing “Culture and City Characteristics” High-Level Forum; in Art and Design (Chinese core journal), issue No.3, 2004.
2004 “Discussion with Mister Lin Mu on ‘the Most National, the Most Worldwide’”, in Exploring Art, issue No. 1, 2004.
2004 “Why is the Vision Tension of Lin Fengmian’s Painting Inferior to that of Liu Haisu’s”, in Fine Arts (state-level core journal of arts), issue No.1, 2004. Published originally in Chinese Painting Artists, issue No.3, 2003.
2003 “Where to Find the Dreams—Thoughts after Visiting Venice Biennial Exhibition”, in Sculpture, issue No.6, 2003. (This is also embodied in Sculpture Almanac, 2003.)
2003 “The Bane—on the Crisis of Easel Painting”, in Fine Arts Observation (state-level core journal of arts), issue No.2, 2003. Published originally in Jiangsu Illustrated, issue No.9, 2002.
2003 “Why is the Vision Tension of Lin Fengmian’s Painting Inferior to that of Liu Haisu’s”, in Chinese Painting Artists, issue No.3, 2003, June.
2002 “The Cultural Stance of Openness and Centralization”, in Theses Collection of China Xi’an 2001 “West, West” Arts Exhibition, Shanxi People’s Fine Arts Press, 2002, October.
2002 “Confession of an Idealist”, in Fine Arts Observation (state-level core journal of arts), issue No.1, 2002.
2002 “Cultural-Conquest and Crisis of Easel Painting”, in Garden of Fine Arts, issue No.3, 2002.
2001 “Introduction to Chinese Flower-Bird Painting”, in Overseas Remained Treasures, Hunan Fine Arts Press, 2001, November.
2001 “How to Face Western Centralism”, in Garden of Fine Arts (Chinese core journal of arts), issue No.4, 2001.
2001 “Creative Features of Lin Fengmian’s Fine Arts Education”, in Chinese Fine Arts Education, issue No.1, 2001.
2001 “Tawdriness—Critique of ‘Epidemic Disease’ in Chinese Painting”, in Guangming Daily, 2001, April 13. Published Originally in Chinese Painting Artists, issue No.6, 2000.
2000 “Concerns in the Face of Aesthetic Education Mania”, in Fine Arts Observation (state-level core journal of arts), issue No.12, 2000.
2000 “Lin Fengmian’s Rustic and Smart Artistic Style”, in Rongbao Studio, issue No.1, 2000.
1999 “The Way Lin Fengmian Looks at Artistic Tradition”, in Fine Arts Observation, issue No.5, 1999; in Theses Collection of Lin Fengmian and the 20th Century International Academic Seminar, China Academy of Art Press, 1999, October.
1999 “Chronicle of Gains and Loss in Combining Chinese and Western Painting”,in the 20th Century Chinese Aesthetic Education, Shanghai Painting and Calligraphy Press, 1999, September.
1998 “Paintings of the School of Eight Eccentrics of Yangzhou”, in Overseas Collection of Famous Chinese Paintings of Past Dynasties, Volume 8, (Nie is also the chief editor of the eighth volume), Hunan Fine Arts Press, 1998, December.
1997 “Travel in the Ink Paintings with a Child’s Heart, Comment on the Present and Past with an Old Man’s Concern”, in Garden of Arts, issue No.4, 1997.
1995 “Peng De’s Prophecy and Groundless Anxieties”, in Jiangsu Illustrated, issue No.5, 1992.
3. Attendance at Academic Conference in Recent Years
2011 “Oriental Media—on Calligraphy in Zhao Wuji and Zhu Dequn’s Abstract Painting and its Cultural Links”, in China Academy of Art; in the 6th Humanistic, Social and Scientific Forum of the Mainland, Taiwan and Hong Kong, 2011, November 19th-20th, in The Chinese University of Hong Kong.
2011 “Exception and Generality: Individual Cases and Problems in Fine Arts Historical Studies”, in the 5th National Universities Academic Annual Conference of Fine Arts History, 2011, October 29th-30th, in Nanjing University of the Arts.
2011 “Summit of National Fine Arts Education Development in Universities”, 2011, June 28th-30th, in Zhejiang University.
2011 “Outlook of Baijia Jinling’s Substantial Development”, in 2011 China Baijia Jinling Art Exhibition Summit (hosted by China Art Association and Publicity Department of Jiangsu Provincial Party Committee, 2011, October 15th-16th, in Nanjing Purple Mountain Villa.
2010 “Oriental Media—on Calligraphy in Zhao Wuji and Zhu Dequn’s Abstract Painting and its Cultural Links”, International Scientific Seminar Commemorating the 110th Birthday of Lin Fengmian, 2010, November 22nd-23rd, in China Academy of Art.
2010 “Harmonize the East and the West• Su Tianci Artistic Seminar”, 2010, December 26th, in China Art Research Institute.
2009 “On the Theory of Great Harmony between Chinese and Western Paintings—Exploring the Integrate Harmony in Yu Jianhua’s Academic Thoughts”, in Yu Jianhua’s International Academic Seminar, 2009, April 25th, (co-hosted by Nanjing University of the Arts and National Art Gallery).
2009 “Path-finding in the Forest of Art—Wang Shucun’s Folk-Art Collection and Research Exhibition/Academic Seminar”, 2009, April 8th, in National Art Gallery.
2009 “Human Character and Art Character—Analyzing Gold Awards in 2009 China Baijia Jinling Chinese Painting Works”, in 2009 China Baijia Jinling Forum, (co-hosted by China Academy of Fine Arts Artists, Publicity Department of Jiangsu Provincial Party Committee, Jiangsu Provincial Cultural Department, and Jiangsu Provincial Circle of Literature and Art), 2009, December 19th-30th.
2008 “Symbolism and Tragic”, in Academic Seminar of Theme Sculpture Expansion Program in Memorial Hall of Victims in Nanjing Massacre by Japanese Invaders, 2008, January 9th, (hosted by China Academy of Fine Arts Artists, China Academy of Art, Publicity Department of Jiangsu Provincial Party Committee, and Nanjing University).
2007 “On the Gains and Loss of Human Spirit in Chinese Painting”, in Jiangsu Provincial Academic Conference of Philosophy, Society and Science, (co-hosted by Publicity Department of Jiangsu Provincial Party Committee, and Jiangsu Provincial Philosophy-Society-Science Federation), 2007, February 17th.
2007 “On the Gains and Loss of Human Spirit in Chinese Painting”, “In Pursuit of Integrate Harmony of Realistic Painting and Impressionistic Painting”, in China Baijia Jinling Forum, (hosted by China Academy of Fine Arts Artists, Publicity Department of Jiangsu Provincial Party Committee, Jiangsu Provincial Cultural Department, and Jiangsu Provincial Circle of Literature and Art), 2007, November, 10th.
2004 “The Uprising Desert—Critique of China’s Urban Construction”, selected in 2004 China Nanjing World Culture-Historical City Expo—Nanjing “Culture and City Characteristics” High-Level Forum, (hosted by Jiangsu Provincial Cultural Department), 2004, October.
2002 “Paintings of the School of Eight Eccentrics of Yangzhou”, in Art of “Eight Eccentrics of Yangzhou” International Seminar, (hosted by China Academy of Fine Arts Artists, and Yangzhou Political Consultative Conference), 2002, November 24th-26th.
2001 “The Cultural Stance of Openness and Centralization”, in China Xi’an 2001 “West, West” Arts Exhibition Forum, (hosted by China Academy of Fine Arts Artists, Shanxi Provincial Government, and Xi’an Academy of Fine Arts), 2002, December, 26th.
1999 “The Way Lin Fengmian Looks at Artistic Tradition”, in Lin Fengmian and the 20th Century International Academic Seminar, (hosted by China Ministry of Culture, China Academy of Fine Arts Artists, Shanghai Academy of Fine Arts Artists, and China Academy of Art), 1999, October.
1998 “Chronicle of Gains and Loss in Combining Chinese and Western Painting”, in 20th Century Chinese Aesthetic Education Seminar, (hosted by China Academy of Art), 1998, May.
4. Artistic and Academic Awards won in Recent Years
2011 Color-ink “Look up at the Starlit Sky” won the Prize of Excellence in “2011 National Chinese Painting Work Exhibition”, awarded by China Academy of Fine Arts Artists.
2008 Color-ink “Shine on a Thousand Years” won the Prize of Excellence in “2008 National Chinese Painting Exhibition”, awarded by China Academy of Fine Arts Artists.
2008 won Award for Creativity in Jiangsu Provincial Fine Arts and Calligraphy Exhibition Commemorating the 30th Anniversary of Reform and Opening, awarded by Publicity Department of Jiangsu Provincial Party Committee, Jiangsu Provincial Cultural Department, and Jiangsu Provincial Literary Federation.
2007 Thesis “On the Gains and Loss of Human Spirit in Chinese Painting” won Excellent Thesis Award in 2007 Jiangsu Provincial Academic Conference of Philosophy, Society and Science, awarded by Publicity Department of Jiangsu Provincial Party Committee, and Jiangsu Provincial Philosophy-Society-Science Federation.
2004 Experimental ink “Unrecognizable Code” won Fu Baoshi Award and Judge Nominating Award in Nanjing Triennium Exhibition of Ink Painting, awarded by Jiangsu Provincial Government.
2004 Chinese Painting “Music as Life” won Prize of Excellence in Jiangsu Provincial Fine Arts Exhibition in the 55th National Day Celebration, awarded by Jiangsu Provincial Cultural Department.
2002 Thesis “Chronicle of Gains and Loss in Combining Chinese and Western Painting” (in the 20th Century Chinese Aesthetic Education, Shanghai Painting and Calligraphy Press, 1999, September) won the Third Prize of Humanistic, Social and Scientific Research Achievement in the 4th Jiangsu Provincial Regular Institutions of Higher Learning, awarded by Jiangsu Provincial Education Department.
2000 Thesis “The Way Lin Fengmian Looks at Artistic Tradition”, (in Fine Arts Observation, issue No.5, 1999) won the Third Prize of Humanistic, Social and Scientific Research Achievement in the 3rd Jiangsu Provincial Regular Institutions of Higher Learning, awarded by Jiangsu Provincial Education Department.
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上海某剧团《猫》中文再译英文之Old Deuterononmy |
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老猫迪欧特洛诺米？
没错，是迪欧特洛诺米
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
迪欧特洛诺米是猫族寿星
他大名鼎鼎，活过不止一世，
女王维多利亚尚未登基
谚语和童谣里早有他大名
他九任太太都已入土
依我看，没准有九十九
他子孙满堂，兴旺发达
他已暮年，全城以他为傲
看到他静静地，懒懒地靠在
牧师家篱笆上晒太阳
最老的市民惊呼道：
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！
我可能是糊涂了，不过说实话
我相信那是老猫迪欧特洛诺米。”
“喔唷没错吧，真的是他吗？
是！不是！嚯！嗬！老天爷！”
我的腿不听使唤了，我得慢慢走
仔细老猫迪欧特洛诺米。
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Old Deuteronomy？
Yeah, it’s Old Deuteronomy.
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
Old Deuteronomy has lived a long time
He’s known to all and he's lived more than one lives
Even before Queen Victoria’s accession
He was famous in proverb and nursery rhyme
His nine wives have passed away
And perhaps ninety-nine, I’d say
His children prospers and thrives
He’s the town’s pride though he’s at the end of his days
Seeing him lean there quiet and cozy
In the sun on the vicar’s fence
The oldest citizen shouted:
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
I might be dreaming but I confess
I believe that’s Old Deuteronomy.”
“Oh! Is that him really?”
No! Yes! Ho! Hey! Oh good Lord!
My legs are staggery, and I must go slowly
And watch out for Old Deuteronomy
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