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| 个人信息 |
| 姓 名： |
廖译员 [编号]:1252 |
性 别： |
女 |
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| 擅长专业： |
英语口笔译 |
出生年月： |
1987/2/1 |
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| 民 族： |
汉族 |
所在地区： |
天津 天津 |
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| 文化程度： |
本科 |
所学专业： |
英语口笔译 |
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| 毕业时间： |
40330 |
毕业学校： |
天津科大 |
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| 第一外语： |
英语 |
等级水平： |
专四 |
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| 口译等级： |
中级 |
工作经历： |
1 年 |
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| 翻译库信息 |
| 可翻译语种： |
英语 |
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| 目前所在地： |
天津 天津 |
| 可提供服务类型： |
笔译 |
| 每周可提供服务时间： |
由于大四课程较少，每天都可以工作。 |
| 证书信息 |
| 证书名称： |
TEM-4 |
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| 获证时间： |
2008/6/1 |
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| 获得分数： |
良好 |
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| 工作经历 |
| 工作时期： |
2008/8/1--2008/9/1 |
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| 公司名称： |
天津科大 |
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| 公司性质： |
其它 |
| 所属行业： |
在校学生 |
| 所在部门： |
外院翻译社 |
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| 职位： |
实践翻译 |
| 自我评价： |
经过一个月的翻译实践才知道什么是诚信守时严谨负责，但却让我更加热爱翻译，更加坚定了我做翻译的信念！ |
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| 笔译案例信息 |
| 案例标题： |
资源丰富的历史 |
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| 原文： |
由于是纸张材料，没存电子版 |
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| 译文： |
资源丰富的历史
虽然美国人口只占世界人口的5%，然而美国人每年大约消耗掉25%的世界能源，平均每人每天制造4磅多的废物和垃圾。只有一个能源极其充裕的国家才能消受得起这样大的挥霍。有时，美国被批判为一个挥霍的国家，一个资源如此充裕以至它的国民被认为惯于浪费的国家。有的学者，譬如大卫•波特，一个美国历史学家认为，美国充裕的物质财富，已经成为造就美国特征的一个重要因素。
这种富裕是大自然的馈赠。那片已经成为美国大陆的土地面积超过300万英里。17世纪和18世纪，当欧洲移民来到这里时，大部分土地都是富饶，肥沃的农场，动植物丰富。只有大约100万的美国土著人居住在这片土地上，他们即没有武器，也没有必需的组织将那些欧洲移民驱逐出去。有一位作家说过，人类不可能再发现这样一大片富饶而未开垦的土地，这样一片人少却有大量未开发自然资源的土地。
但是，如果说美国充裕的自然资源是美国成为一个富有的国家的唯一原因，那是不对的。那些早期移民的信念、决心和艰苦劳动也是同等重要。
在贵族的欧洲国家，赴美移民丢弃了统治阶级生而特有的物质财富和舒适生活。因此，正如徳•托克维尔所说，富人们将其财富视为理所当然，而不看重物质上的东西。而富人之外的穷人们也不会把自己和财富联系在一起，因为他们知道他们几乎没有机会变得富有或者改变他们的社会地位。
然而，在美国的早些年，财富和社会地位并不总是与生俱来。在美国机遇平等的观念使得富人和穷人的富裕度不是那么的确定。任何时候，富人可能失去他们的一部分财富，而穷人的财富却增加了。因此，美国的所有阶层，都在思考着要维护他们的物质财富，寻找渠道获取更多的财富。徳•托克维尔认为这并不主要因为贪婪的缘故，而是因为他们的不安全感。如果人们的物质财富或者他们的儿女的物质财富可能在他们一生中甚至是仅仅在一代人中起伏如此之快，自然而然的，他们就可能感到不安全。
徳•托克维尔总结说，对富人和穷人来说，增加他们的物质财富和物质安逸品是非常重要的。因此，整个民族都加入了尽快增加国家物质财富的队伍。
美国从英国手中获得独立的50年以后，徳•托克维尔参观了美国。美国在如此短时期内取得的巨大进步大大地震惊了他。虽然这个国家还处于发展的早期阶段，没有大量的可利用资金用于投资，它却已经在贸易和制造业方面取得了巨大的进步，已经跃居世界海运力量的第二位，已经建造了世界上最长的铁路。然而徳•托克维尔却为美国所有物质成功的影响感到担忧。在这样一个社会，物质主义本身可以变成一种道德价值观，而不仅仅是达到目标的一种方式。
徳•托克维尔的担忧，在很大程度上成为了现实。在创造一片富裕土地的过程中，美国人开始用物质主义标准去衡量自己。不像在许多其他国家，对物质的热爱被视为一种堕落，一种道德品质薄弱的标志，而在美国，它却被视为一种美德，一种努力工作的积极刺激，一种对有成效努力的回报。
传统的美国人一直为他们民族创造物质财富是他们能保持高生活水平的能力而感到自豪。这有助于理解为什么美国人用物质主义作为衡量个人及民族的标准。（同时）分享美好生活的机遇已经吸引了一代又一代的移民者到美国。
从生产者到消费者
强调创造财富和强调维持高水平生活不总是一样的。在18世纪和19世纪，大部分美国人更多地认为自己是生产者而不是消费者。作为农民，他们种植食物，自制许多家庭用品。后来作为工人，他们制造商品。真正的改变是随着20世纪20年代广播的发明和大众广告的诞生而来的。随着广播节目，短广告或者商业广告出现了，引导收听者们购买它们的商品。商业公司同意消费，广播节目则为他们的商品播放广告。
20世纪50年代，当电视机出现时，它运用无线电发展的相同技术：娱乐节目穿插商业广告。然而，作为家庭娱乐节目和大众广告来源的电视机迅速超越了广播。
到20世纪90年代，美国98%的家庭至少配有一台电视机，（平均为2.1台），家庭电视机每天的启用时间约为6小时。今天，美国人平均每人每年看到5万则广告。每当热播节目上映时，比如超级杯后季赛，广告观众数量可能达到5000万，甚至有更多。
所有的这些大众广告有些什么影响呢？它已开创了消费者的时代。大的生产商开始认为，增加他们的产品和利润的最好方法是通过大量广告说服成百上千万的美国人消费更多的产品。美国人作为生产者的旧形象已被作为消费者的新形象所取代。
历史学家大卫•波特认为，现在美国的大众广告在规模和影响上都是如此重要，它应该被视为像学校和教堂一样的一种机构。然而，不像学校或者教堂，大众广告不是为了提升个人（素质），他的唯一目标是说服人们消费更多的产品。
商业电视相竞于公众电视和因特网
因为一些企业赞助某些电视节目，他们可以和节目创制人协商，在节目内容上有些发言权。如果他们不赞成节目中的内容，赞助商们可以撤资。一些批判言论认为大众广告对电视的控制已经影响了节目的质量。其他的则认为，商业性电视给美国大众提供了所需。只有热播的节目仍在上映，其他的则很快被取消。而且，普通家庭中人们低消费就可以享受电视提供的丰富多彩的娱乐、体育和新闻节目。
当然，除了有赞助商们赞助节目的商业性电视，还有另一种选择。公众电视不是由大众广告来赞助，因此，节目中没有商业性广告。它的费用来自想要高质量电视节目的公众和私有企业的捐助，政府也给予投资。公众电视上的节目，在教育和文化内容上比在商业性电视中的大体上要好。虽然，公众电视有大量的美国观众，但是商业性电视仍然吸引了更多的听众。（这似乎应和了一些人的评论：商业性电视给公众提供了所需。）
凭借每月的缴费，商业性业性电视和公众电视节目也可以通过有线电视和卫星电视收看。另外，用户可以另交费用接收电影频道和其它娱乐节目频道的服务。现在，超过60%的美国家庭拥有的有线电视可以给他们提供100多个频道，热门的卫星电视则可以提供500多个频道。
随着信息高速公路的发展，以及各种交流方式的出现，家庭用户也有了越来越多的选择。现在已有三分之一的美国家庭拥有个人电脑。通过因特网和万维网的交流正在快速增长。
然而，美国人（却）面临着一个持久的困境——如何找到这样一个平衡：言论自由全权和保护孩子们的需要，以及如何维持高雅的水准。
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| 案例标题： |
小说选段 |
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| 原文： |
由于是纸张材料，没存电子版 |
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| 译文： |
The master tought him to read and patter. As he was born with a good voice, he could make quick progress in pattering. But then he steeped himself in some dated novels and lengendary dramas when he had learned adequate words and was no longer interested in those wizard sutras. One day, the books he kept under his bed were found by the master and without mercy, this devout Buddhist kicked him on the bottom several times and drove him out of the temple without saying a word.
He was inbornly a person who could not get rid of earthborn passion. Even if he had continued to live at the temple, he could not be a competent monk. As my mother said, actually, his mind was full of romantic ideas. For example, he ever had the idea of learning to be a heroine actor with a theatrical company. But the boss thought little of him. Only when he came across a vagabond folk art actor, he learned to tell stories in baritone, falsetto voice and soprano. When he grew adult and returned to the village, he was already a successful story teller.
He entertained our villagers until the moon hung in the west and the dew began to fall. In the end, many women went back home with tears rolling down. Generally, my mother would went out to take Ah Lan back home before the story ended as the story usually had a sad and dreary ending. Surely, Lao Liu was very sentimental and only good at telling tragedies. Tonight, my mother arrived so late that Lao Liu had already stroke his sorrowful note to end a story about the early life of Hai Tanghua. At that time, Ah Lan was choked with sobs and could hardly raise her head.
My mother held the back of Ah Lan's head to let her face upward. Her tears shining against the stars, Ah Lan would fall into the ground without Mother's tight holding.
"You are such a silly girl!" my mother said in a tone of chiding, "Shedding tears every night, how can you endure!"
Without reply, Ah Lan still kept whimpering.
Mother helped her to stand firmly on her feet and added, "If you keep weeping like this all the time, I will not let you go there next night. A story is just a story. You should not believe it so ."
"But Lao Liu's singing and sobbing is real." explained Uncle Pan, showing his sympathy for Ah Lan.
"Er, that is why you leave her there so long!" blamed Mother, "You should have call her back home to go to bed long before!"
Uncle Pan did not say a word any more, just hung his head. Ah Lan wiped off her tears with sleeves and walked unwillingly before my mother to the house. On our way home, in a low voice, Mother asked me, "When did Ah Lan begin weeping?"
"I do not know." I replied, "Maybe when Hai Tanghua intended to kill herself after she was totally heart-broken."
"Commit suicide again?"
"Yeah, but the way was different this time."
"Next night you must stay at home both," Mother said in a louder voice so that Ah Lan could hear. "The plot of committing suicide can do harm to your sleep."
However, the next day, Uncle Pan took us to the square for story as ever just after supper. Instead of forbidding, Mother even came too after washing up all the dishes. The story tonight was the second part of the story last night as it was a trilogy. Mother sat by Aunt Ju. While listening to the story, Aunt Ju whispered to my mother, commenting on the story, "No man is good! No man is good!" she complaint.
"But Lao Liu is a good man." Mother responded.
"Well, a little too womanish and weak." Aunt Ju said carelessly.
"You dislike this kind of man?" Mother asked in reply.
"Er..." Aunt Ju was wordless.
Meanwhile, Lao Liu continued his story. When he played the role of a playboy, he sang in baritone; when he spoke on behalf of the heroine, he used soprano. In the spacious night sky, these two different voices sounded as if from two different persons. Lao Liu himself no longer existed in our minds and two characters were in place of him and narrating: one was a woman with a strong feminine character; while the other was totally a male, smart, cunning and terribly handsome. To thank him for his magical folk art, our villagers offered him a picul of rice per quarter so that he could go on making up his stories without worrying about food. Thank to the bumper harvest this year, our villagers could have some rice left for the rainy days after the landlord Chu Min in the town levied much of the rice as rent.
Ah Lan was a lonely girl---as lonely as Uncle Pan. Differently, she came from a village tens of miles away but not from the distant North as Uncle Pan did. Just when she could remember things, her other families all died. Her father, a poor farmer, died unexpectedly in a badly droughty year, just like the people in the same circumstance. During the whole summer, it never rained and the paddy was roasted into ashes by the sun. As a result, many many villagers suffered from hunger and this year was called "the Great Famine". The whole area was lack in food except the richest landlord Chu Min who had a great store of rice.
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